Dance Industry takes pride in it's dedication to art of Ballet. Our Performing Company artists have the opportunity to further their dance education through our prestigious Ballet Program.
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Join us for 5 days of training with some of the industry's finest. This intensive is open to all artists ages 7-18. Meet the faculty below! We will be accepting video submissions for dancers who are not currently enrolled at Dance Industry.
June 1-3rd for Young dancers (4 hours per day)
June 1-5th for INT/ADV dancers (5
Craig Hall was born in Maywood, Illinois. He began his dance training at Maywood Fine Arts with Lois Baumann. At 14, he studied with Anna Paskevska and Randy Duncan at The Chicago Academy of the Arts and Ruth Page Dance Foundation with Larry Long. He entered the School of American Ballet (SAB), the official school of New York City Ballet, full time in the fall of 1997. While a student at the School of American Ballet, he originated a featured role in Christopher Wheeldon’s Scènes de Ballet, which premiered during New York City Ballet’s 1999 spring season. In October 1999, he became an apprentice with New York City Ballet, and a member of the corps de ballet in February 2000. In May 2007, Craig was promoted to soloist. While with NYCB, he has danced featured roles in George Balanchine’s Agon, Apollo, Episodes, The Four Temperaments, The Nutcracker (Tea, Candy Cane), Serenade, La Sonnambula, Western Symphony; Angelin Preljocaj’s La Stravaganza; Jerome Robbins’ Afternoon of a Faun, The Cage, Fanfare, Glass Pieces; and Christopher Wheeldon’s After the Rain, DGV: Danse à Grande Vitesse, Liturgy, Polyphonia, This Bitter Earth. Featured roles were also created on him by Mario Bigonzetti, Kim Brandstrup, Jiri Bubenicek, Eliot Feld, Jorma Elo, Robert La Fosse, Douglas Lee, Peter Martins, Wayne McGregor, Benjamin Millepied, Justin Peck, Alexei Ratmansky and Lynne Taylor-Corbett. After retiring from NYCB in 2016, Craig became a Repertory Director and Repetiteur to New York City Ballet Resident-Choreographer Justin Peck. He has staged works for the San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet, Joffrey Ballet of Chicago, Houston Ballet, BalletMet, School of American Ballet, Nantucket Dance Festival, and Vail International Dance Festival. He joined The School of American Ballet’s faculty in 2017. His film and television work includes Columbia Pictures’ feature film Center Stage and the film NY EXPORT: OPUS JAZZ, a scripted adaptation of the Jerome Robbins ballet of the same name, which aired on PBS. He was featured in the first season of the AOL web series city.ballet presented by Sarah Jessica Parker, and performed with Taylor Swift and Misty Copeland for the 2019 American Music Awards.
WHITNEY POPP began training with Mid Columbia Ballet in Washington, and later trained at Pacific Northwest Ballet. She then spent 5 years as a principal dancer with Sacramento Ballet performing many lead roles such as Odette/Odile in Swan Lake, leads in numerous Balanchine ballets, and the Cowgirl in Agnes de Milles Rodeo, just to name a few. Whitney was chosen to perform in many works by outstanding choreographers as well, such as Dwight Rhoden, Amy Siewert, and Val Cannaparoli. After moving to New York, she was discovered by Twyla Tharp and joined Twyla Tharp Dance. Whitney toured Europe with Twyla Tharp Dance and went on to become one of Twyla’s leading principals for the creation of several new works. Whitney also joined the 1st Nat’l Broadway tour of Movin’ Out performing multiple lead roles. She later toured Europe once again, this time with her husband Corbin, performing more works by Twyla Tharp. Whitney has had the privilege of teaching all over the world and lives in Colorado with her husband and their three children. She is a proud faculty member of Colorado Ballet Academy. Whitney is also a co-founder of the performing company Lightwire Theater based in New Orleans that finished in the semi finals of Americas’ Got Talent in 2013.
Martin is a British dancer, actor, and educator. His early acting credits include Michael, west-end production of "Peter Pan," Oliver, west-end production of "Oliver," Young Pip (opposite Sir Anthony Hopkins) in Disney's "Great Expectations," Dominic Barber in the Central T.V. pilot, "Zero Option" and the same character in the resulting T.V. series, "Saracen." At 11 years old, Martin joined the Royal Ballet School, and after six years of training, he was offered a place with London's Royal Ballet Company. In a 15-year career, he danced many principal roles with the Royal Ballet, including Crown Prince Rudolf in "Mayerling," Onegin in "Onegin," Colas in "La Fille Mal Gardee," Lescaut in "Manon," and Mercutio in "Romeo and Juliet." He created multiple works with many of the world's leading choreographers before going on to appear as Johnny Castle in the hit west-end production of "Dirty Dancing." In 2009, he received the U.K. Critics' Circle Spotlight Award. Martin is now based in the U.S., where he has featured in various film, television, and stage productions, receiving rave reviews for his roles in "A Chorus Line" and "Carousel," and appearing regularly at the Metropolitan Opera House. Aside from his performance work, Martin is also a faculty member of Radix Dance Convention and a Guest Teacher/Artistic Consultant for New Jersey Ballet.
Jennifer Chambers Litaker grew up in a ballet studio with her mother and teacher, Helen Chambers. While training and performing with the Tyler Civic Ballet, under the direction of Paula Sansom, Jennifer was privileged to work with artists such as Anne Burton Avery, David Howard, Patricia Thomlinson and Richard Hubsure. Jennifer found her love for ballet and passion for anatomy collide while earning her Fine Arts Degree at the University of North Texas under the guidance of Arleen Sugano. Working as a research assistant for Arleen, Jennifer was given the opportunity to delve deeper into the idea of a collaborative ballet technique using science to create a stronger and healthier approach to classical tradition. Accolades achieved include acting as 2 year president of Honor’s Society, Chi Tau Epsilon, Graduating Magna Cum Laude, choreographic acknowledgement to the College Dance Festival and receiving Student of the Year Honors for Fine Arts. After over a decade of teaching, Jennifer is honored to be a part of the DI Family and share her love for ballet with such motivated young artists. Jennifer is also blessed to have the endless support of her husband, Rob, and three children Zachary, Ava and Mabel.
Matthew Dibble was born in Halifax, West Yorkshire, U.K. At the age of 11, he entered the Royal Ballet School White Lodge where he trained for five years followed by two years in the Royal Ballet Upper School. Upon graduating, he became a member of the Royal Ballet under the directorship of Anthony Dowell. In his five years in the company, Matthew rose to First Artist, dancing many roles including those created for him by choreographers such as Christopher Wheeldon, William Forsythe, Ashley Page, Twyla Tharp, William Tuckett, and Michael Clark. In 1999, Matthew decided to leave the Royal Ballet to become a founding member of K Ballet Company in Tokyo, Japan. He spent three years in Japan, working closely with director Tetsuya Kumakawaand choreographers such as Roland Petit. He danced many leading roles in the classics and modern classics including those by Sir Frederick Ashton. Matthew was then invited to the United States where he began a close collaboration with famed choreographer Twyla Tharp. He became a member of her company Twyla Tharp Dance, later joining the cast of her smash hit musical “Movin’ Out” to the music of Billy Joel. He appeared in several parts including the principal roles of Eddie and James in both the Broadway production in New York and the West End production in London. In 2007, Matthew returned to Europe to join Matthew Bourne’s company, Adventures in Motion Pictures in London, dancing in the production of “The Car Man, Bizet’s Carmen Reimagined” around the United Kingdom. During this time, he also became a guest principal artist with the Scottish Ballet, worked with Benjamin Millepied and was a member of Christopher Wheeldon’s company Morphoses in New York City. Thereafter, Matthew came back to Broadway in 2010 to create the principal role of Chanos in Tharp’s new musical “Come Fly Away” which he then danced on tour around the world as well as at the Tony Awards. Two decades after first inviting Matthew to join her company, Tharp continues to create many featured works for him, including Yowzie and Beethoven Opus 130 featured during Twyla Tharp Dance’s 50th Anniversary Tour. Along with dancing, Matthew now has the great honor of staging both Benjamin Millepied and Twyla Tharp’s works in the United States and abroad, along with leading master classes and workshops for students and professionals alike.
Tiffany Mori began dancing in her hometown of Osaka, Japan. After being awarded the silver medal at the National Ballet Competition in Japan, Ms. Mori traveled to the U.S. to complete her training at the Miami City Ballet School, under the direction of Edward and Linda Villella. Ms. Mori began her professional career with Tulsa Ballet II and BalletMet Columbus, then proceeded to join the Saint Louis Ballet under the direction of Gen Horiuchi in 2009. As a leading artist of the company she has performed principal roles in full-length ballets including: Coppelia, Romeo and Juliet, Don Quixote, Nutcracker, and Sleeping Beauty, and has also starred in works by Twyla Tharp, George Balanchine, and Christopher Wheeldon. She has originated roles in world premieres created by Amy Seiwert, Brian Enos, Monique Meunier, Emery LeCrone, Francis Patrelle and Tom Gold. Every summer, from 2011-2018, Ms. Mori was invited by Gen Horiuchi to dance in the Ballet for the Future Gala, performing in cities all over Japan. She has also toured to New York City for a world premiere with Tom Gold Dance in 2018. While dancing, Ms. Mori obtained her degree in Chemistry and Mathematics from University of Missouri graduating magna cum laude. Pointe Magazine featured Ms. Mori in an article that depicted her ability to successfully balance her full-time career while earning her bachelors. She is delighted to be passing her dance knowledge down to students around the world. Ms. Mori has successfully completed the ABT® Teacher Training intensive in Pre-Primary through Level 3 of the ABT® National Training Curriculum. She hopes students will gain the passion and joy of dance through their dedication and commitment in their class, and to utilize the tools they acquire to achieve and fulfill their goals.
Our Ballet Rep program focuses on learning repertoire from infamous ballets. Dancers learn the work then audition to be cast. The dancers perform twice a year in The White Theater showcasing their work!
The Ballet Track at Dance Industry is an additional class to expand a dancer’s knowledge of classical
ballet. Dancers will take an in-depth look at technique from an anatomical perspective, study ballet
terminology and history, and learn classical repertoire.
This Track is for those who are serious about their ballet training and desire a future in the ballet industry. These dancers attend an extra 2 hour ballet technique on Friday evenings.
Our Ballet program also trains dancers for varies Ballet Competitions all around the country. Attending events such as YAGP, ADCIB and others, our dancers are exposed to artists in the ballet world.
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